Michelangelo Buonarroti
was born on March 6, 1475 in the village of Caprese, Italy. He was one of the most important artists of the Italian Renaissance, a period when the arts and sciences flourished. Michelangelo became an apprentice to prominent Florentine painter, Domenico Ghirlandaio at the age of 12, but soon began to study sculpture instead. He attracted the attention and patronage of Lorenzo de Medici, who was ruler of Florence until 1494. At age 23, Michelangelo completed his magnificent "Pieta," a marble statue that shows the Virgin Mary grieving over the dead Jesus. He began work on the colossal figure of "David" in 1501, and by 1504 the sculpture (standing at 4.34m/14 ft 3 in tall) was in place outside the Palazzo Vecchio. The statue became a symbol for the new republic that had replaced Medici rule.
Michelangelo portrayed "David" partly as the ideal man, partly as an adolescent youth. Unlike predesessors by other sculptors which depict David with the grissly head of the giant under his foot, Michalangelo poses David at the moment he faces the giant, the deed before him. He believed that this was David's moment of greatest courage.
   From 1508 until 1512 Michelangelo worked on his most famous project, the ceiling of the Sistine Chapel in the Vatican. He had always considered himself a sculptor and resisted painting the Sistine with characteristic vehemence: "I cannot live under pressures from patrons, let alone paint." Only the power of the Pope Julius II forced him into the reluctant achievement of the world's greatest single fresco. He covered the ceiling with paintings done on wet plaster, showing nine scenes from the Old Testament. Michelangelo later painted "The Last Judgment" on the altar wall of the Sistine Chapel.
   Toward the end of his life, Michelangelo became more involved in architecture and poetry. In 1546 he was made chief architect of the partly finished St. Peter's Church in Rome, where the Pieta is now kept.

BOTTICELLI
Alessandro Botticelli was born in Florence in 1444 or 1445, the fourth son of Mariano di Vanni Filipepi, a tanner. Alessandro's nickname was derived from the one given to his eldest brother Giovanni, who, because of his corpulence, was called "Il Botticello" (little barrel). It is believed that Botticelli was apprenticed as a goldsmith before being sent, probably in the beginning of the 1460s, to Fra Filippo Lippi in order to study painting.
Since 1470, Botticelli ran his own workshop in Florence and, in 1472, he became a member of the St. Luke's Guild. His early woks were mostly small religious pieces. In 1470, he was commissioned to paint Fortitude (c.1470) for the Florentine Tribunate di Mercatanzia. In 1474, his first monumental work St. Sebastian (1474) was mounted on a pillar in the Florentine church of Santa Maria Maggiore. He painted Adoration of the Magi (c.1475), on which he depicted members of Medici clan, the ruling family of the Florence, also his Portrait of Giuliano de' Medici (c.1476-1477) was well known. He had a lasting fame as a painter of Madonnas. Among his best are Madonna and Child with Eight Angels (Tondo Raczynski) (c.1478), Madonna del Libro (c.1480), Madonna of the Magnificat (c.1480-1481), Madonna of the Pomegranate (c.1487), Madonna del Padiglione (c.1493).
In 1480, Botticelli was commissioned to paint the fresco St. Augustine (1480) for the Ognissanti church. At that period he also created another fresco, which did not survived. In 1481, Botticelli was commissioned along with Domenico Ghirlandaio, Cosimo Rosseli and Pierro Perugino by Pope Sixtus IV to decorate his cappella magna, which was later named the Sistine Chapel after him, with frescos. He created The Temptation of Christ (1481-1482), Scenes from the Life of Moses (1481-1482) and The Punishment of Korah (1481-1482).
In the next years he painted The Story of Nastagio degli Onesti (1482-1483), a series of 4 frescos based on the novella in Boccaccio's Decameron for the decoration of the Pucci villa, and his most famous mythologic works Primavera (c.1482) and The Birth of Venus (c.1485). He created several great altarpieces for Florentine churches, such as Virgin and Child Enthroned between Saint John the Baptist and Saint John the Evangelist (Bardi altarpiece) (1484), Virgin and Child with Four Angels and Six Saints (San Barnabas altarpiece) (c.1487), Coronation of the Virgin with the Saints John the Evangelist, Augustine, Jerome and Eligius. (San Marco altarpiece) (c. 1490-1492).
In the 1490s, Botticelli became influenced by the Dominican monk Girolamo Savonarola, in whose sermons and writings he conjured up visions of the Apocalypse at the imminent turn of the century and warned people to repent and embrace asceticism. Botticelli's style became more severe and strict. In the late 1480s, the artist made illustrations for Dante's Divine Comedy. Among his last known works are Calumny of Apelles (c.1494-1495), The Story of Virginia (c.1496-1504), The Story of Lucretia (c.1496-1504), Mystic Nativity (1500) and St. Zenobiuspanels (1500-1505). The last years of Botticelli's life are unknown. He died on the 17th of May, 1510 in Florence and was buried in the Ognissanti cemetery.

TISSOT
Jacques Joseph Tissot was born in 1836 in Nantes, France into the family of a merchant. In c. 1856-57 he came to Paris with the desire to become a painter. He entered the Academy of Fine Arts (Ecole des Beaux-Arts) and studied in the studios of Ingres and Flandrin. Much of his education, though, Tissot received informally, through friends and acquaintances among avant-garde artists and writers. Among his influential contacts were Edouard Manet, Edgar Degas, and James McNeill Whistler. The latter evidently had a strong impression on the young artist, shortly after meeting Whistler Tissot anglicized his first name to "James". He was a close friend of Degas; Degas painted an interesting portrait of Tissot. But they later quarreled, and Tissot refused to participate in the Impressionists exhibitions.
Tissot achieved official recognition for his work rather quickly. First he painted historical costume pieces, but in about 1864 he turned to scenes of contemporary life, usually with attractive stylish women. Both the subject and Tissot's manner of painting had a success with the collectors, and by 1870 the painter was earning a substantial income. In 1870, the Franco-Prussian war started, followed by the civil war, Parisian Commune, in 1871. The government severely suppressed the rising, killing nearly twenty thousand Commune members in the streets of Paris. James Tissot, a Commune sympathizer, had to leave the country to escape imprisonment. He took refuge in London, where he lived from 1871 to 1882.
In England he painted portraits and proceeded with his favorite subject - scenes from the life of society, but adapted to the English tastes, and soon gained a high reputation among the social elite. "It's ironical that the greatest painter of social life in Victorian times was not English, but French - Jacques Joseph Tissot, or James Tissot, as he liked to be known." (Victorian Painting by Christopher Wood. Bulfinch Press. 2000)
"…during the brief eleven years that he worked in England , achieved both artistic and financial success, painting what are now recognized as his best pictures. The first of his large-scale social scenes was Too Early, exhibited at the Royal Academy in 1873. The painter Louise Jopling, a friend of Tissot, described it as 'a new departure in art, this witty representation of modern life.' He followed this with the brilliant Ball on Shipboard of 1874, and Hush, the last of his large pictures of this type, shown at the RA in 1875. No English artist could equal Tissot's brilliant technique, or his combination of style, elegance and wit, and all three pictures were instantly successful." (Victorian Painting by Christopher Wood. Bulfinch Press. 2000)
Despite the success Tissot was attacked by most serious critics, including Oscar Wilde, Henry James and Ruskin, who saw in his paintings color photographs of the vulgar nouveaux riches. This contemptuous appraisal did not stop his paintings selling.
About 1876, Tissot met Mrs. Kathleen Newton, a beautiful Irish divorcée, who became his model and mistress. He immortalized her in his paintings Quiet, Chrysanthemums and many others. After her death of tuberculosis, in 1882, he returned to France.
He was no longer interested in painting 'society', his emotional state made him retreat into religion. He visited the Holy Land in 1886-87 and in 1889 for careful geographical and ethnographic studies, and made hundreds of watercolor paintings illustrating the Bible. His watercolors on the New Testament were called "a revolution in religious art". Tissot later made a series of illustrations for the Old Testament as well, but these ones were not as highly appreciated as the earlier ones. Many of Tissot's Bible watercolors belong to the Brooklyn Museum in Brooklyn, N.Y. Tissot's biblical illustrations are his most significant work of his last years. He died at Buillon, Department of Doubs, France on August 3, 1902.